Holotopia

From Knowledge Federation
Revision as of 10:16, 24 July 2020 by Dino (talk | contribs)
Jump to: navigation, search

Imagine...

You are about to board a bus for a long night ride, when you notice the flickering streaks of light emanating from two wax candles, placed where the headlights of the bus are expected to be. Candles? As headlights?

Of course, the idea of candles as headlights is absurd. So why propose it? Because on a much larger scale this absurdity has become reality.

The Modernity ideogram renders the essence of our contemporary situation by depicting our society as an accelerating bus without a steering wheel, and the way we look at the world, try to comprehend and handle it as guided by a pair of candle headlights.

Modernity.jpg Modernity ideogram


Our proposal

In a nutshell

The core of our knowledge federation proposal is to change the relationship we have with information.

What is our relationship with information presently like?

Here is how Neil Postman described it:

"The tie between information and action has been severed. Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness; we are glutted with information, drowning in information, have no control over it, don't know what to do with it."

The motivation of our proposal is to restore agency to information; and power to knowledge.

Postman.jpg
Neil Postman

In detail

What would it take to restore the connection between information and action? What would be the practical consequences of such an act?

What would information and our handling of information be like if we treated them as we treat other human-made things—if we adapted them to the purposes that need to be served?

What would it mean, practically and academically, if instead of assuming that when our ideas are published in a book or an article they are automatically "known", we treated the other half of this picture with the thoroughness and attention that characterize our technical work? If we asked What do people actually need to know? If we turned the massive volumes of information we own into something that the people can comprehend and make use of? If we developed the "social life of information" in a similar manner as the nature developed our brain and nervous system—to allow us, and our society, to adapt to the complex reality we have created, by changing our perception of it, and our behavior? To empower us to comprehend our world correctly?

What would the academic field that develops this approach to information be like? How would information be different? How would it be used? By what methods, what social processes, and by whom would it be created? What new information formats would emerge, and supplement or replace the traditional books and articles? How would information technology be adapted and applied? What would public informing be like? And academic communication, and education?

The substance of our proposal is a complete prototype
that provides detailed answers to these and other related questions. (A prototype is a model that is already embedded in practice, so that it not only embodies and exhibits solutions, but also acts upon practice to change it—while showing to its creators what works and what needs to be changed.) The Knowledge Federation prototype is conceived as a portfolio of about forty smaller prototypes, which cover the range of questions that define an academic field.

We use our main keyword, knowledge federation, in a similar way in which "design" and "architecture" are commonly used—to signify both a real-world praxis (informed practice), and an academic field that develops and curates it.

Technically, we are proposing a paradigm. (We adapted this keyword from Thomas Kuhn, and it stands for (1) a new way to conceive a domain of interest, which (2) resolves the reported anomalies and (3) opens up a new frontier to research.) The proposed paradigm is not in a specific scientific field, where paradigm changes are relatively common, but in "creation, integration and application of knowledge" at large.

Our call to action is to institutionalize and develop knowledge federation as an academic field, and as a real-life praxis.


An application

The situation we are in

The Club of Rome's assessment of the situation we are in, provided us with a benchmark challenge for putting the proposed ideas to a test. Four decades ago—based on a decade of this global think tank's research into the future prospects of mankind, in a book titled "One Hundred Pages for the Future"—Aurelio Peccei issued the following call to action:

"It is absolutely essential to find a way to change course."

Peccei also specified what needed to be done to "change course":

"The future will either be an inspired product of a great cultural revival, or there will be no future."

Peccei.jpg
Aurelio Peccei

This conclusion, that we are in a state of crisis that has cultural roots and must be handled accordingly, Peccei shared with a number of twentieth century's thinkers. Arne Næss, Norway's esteemed philosopher, reached it on different grounds, and called it "deep ecology".

In "Human Quality", Peccei explained his call to action as follows:

"Let me recapitulate what seems to me the crucial question at this point of the human venture. Man has acquired such decisive power that his future depends essentially on how he will use it. However, the business of human life has become so complicated that he is culturally unprepared even to understand his new position clearly. As a consequence, his current predicament is not only worsening but, with the accelerated tempo of events, may become decidedly catastrophic in a not too distant future. The downward trend of human fortunes can be countered and reversed only by the advent of a new humanism essentially based on and aiming at man’s cultural development, that is, a substantial improvement in human quality throughout the world."

The Club of Rome insisted that lasting solutions would not be found by focusing on specific problems, but by transforming the condition from which they all stem, which they called "problematique".

Can the proposed 'headlights' help us "find a way to change course"?

Why did Peccei's call to action remain unanswered? Why wasn't The Club of Rome's purpose—to illuminate the course our civilization has taken—served by our society's regular institutions, as part of their function? Isn't this already showing that we are 'driving with candle headlights'?

If we used knowledge federation to 'illuminate the way'—what difference would that make?

The Holotopia project is conceived as a knowledge federation-based response to Aurelio Peccei's call to action.

We coined the keyword holotopia as a placeholder for the vision, and the cultural and social order of things, which will result from this quest.

The mission of the Holotopia project is to evolve (a prototype of) a pair of 'headlights', in actual practice, by which this new course will become visible; and to initiate the transformative cultural and social processes that are necessary for the holotopia vision to be actualized.

To prime this work, we have developed an initial prototype, which includes both an initial vision and a project infrastructure. This prototype is described on these pages.

A vision

The holotopia is not a utopia

Since Thomas More coined this term and described the first utopia, a number of visions of an ideal but non-existing social and cultural order of things have been proposed. But in view of adverse and contrasting realities, the word "utopia" acquired the negative meaning of an unrealizable fancy.

As the optimism regarding our future faded, apocalyptic or "dystopian" visions became common. The "protopias" emerged as a compromise, where the focus is on smaller but practically realizable improvements.

The holotopia is different in spirit from them all. It is a more attractive vision of the future than what the common utopias offered—whose authors either lacked the information to see what was possible, or lived in the times when the resources we have did not yet exist. And yet the holotopia is readily realizable—because we already have the information and other resources that are needed for its fulfillment.

Making things whole

What do we need to do to change course toward the holotopia?

From a larger volume of insights from which the holotopia emerges as a future realistically worth aiming for, we have distilled a simple principle or rule of thumb—making things whole.

This principle is suggested by the holotopia's very name. And also by the Modernity ideogram: Instead of reifying our institutions and professions, and merely acting in them competitively to improve "our own" situation or condition, we consider ourselves and what we do as functional elements in a larger system of systems; and we self-organize, and act, as it may best suit the wholeness of it all—including, of course, our own wholeness.

Imagine if academic and other knowledge-workers collaborated to serve and develop planetary wholeness – what magnitude of benefits would result!


A method

Seeing things whole

"The arguments posed in the preceding pages", Peccei summarized in One Hundred Pages for the Future, "point out several things, of which one of the most important is that our generations seem to have lost the sense of the whole.

But to make things whole, we must be able to see them whole!

To highlight that the knowledge federation methodology we are proposing affords that very capability, of seeing things whole, in the context of the holotopia we refer to it by its pseudonym holoscope.

The characteristics of our current prototype of the holoscope—the main design choices or design patterns, how they follow from published insights, and why they are necessary for 'illuminating the way'—will become obvious in the course of this presentation. One characteristic, however, must be made clear from the start.

Thinking in new ways

Holoscope.jpeg
Holoscope ideogram

That “we cannot solve our problems with the same thinking we used when we created them" is a commonplace. A salient technical novelty in the holoscope is that free and deliberate choice of what we look at and how (which in our technical jargon is called scope) is made possible on rigorously academic grounds.

To point to a new "course", we will of course have to offer some unorthodox views. You will be able to relax and enjoy our presentation if you'll bear in mind that the core of our proposal is not some specific new "reality picture", but to allow ourselves to look in new ways and see differently ('substitute lightbulbs for candles'). And that our call to action is to develop the process by which uncommon views can be supported and reconciled, so that new ways, and whole pictures, can be seen; and to institute and develop the process by which that process can be developed, in a knowledge-based or academic way.

While we applied our best of ability to make this holotopia presentation and various other resources in our portfolio fault free, we do not need to make that claim, and we are not making it. Everything here is only prototypes. Which means models, each made to serve as a "proof of concept", to be experimented with and indefinitely improved.

Think of this as a cardboard model of a city. And consider that the core of our proposal is not to build a specific 'city'—but to develop 'architecture'!


Looking from all sides

To liberate our thinking from the narrow frame of inherited concepts and methods, and allow for deliberate choice of scopes, we used "the scientific method" as venture point; and modified it by taking recourse to state of the art insights in science and philosophy.

Science gave us new ways to look at the world: The telescope and the microscope enabled us to see the things that are too distant or too small to be seen by the naked eye, and our vision expanded beyond bounds. But science had the tendency to keep us focused on things that were either too distant or too small to be relevant—compared to all those large things or issues nearby, which now demand our attention. The holoscope is conceived as a way to look at the world that helps us see any chosen thing or theme as a whole—from all sides; and in proportion.

Just as the case is in projective geometry, the art of using the holoscope consists to a considerable degree in finding a suitable selection of distinct ways of looking.

This capability to create views by choosing scopes, on any desired level of detail, adds to our work with contemporary issues a whole new 'dimension' or "degree of freedom"—where we choose what we perceive as issues, so that the issues can be resolved, and wholeness can be restored.

FiveInsights.JPG
Five Insights ideogram

Illuminating problems to see solutions

What theme, what evidence, what sort of conclusions might have enough power as to affect the vast momentum with which our 'bus' is currently rushing onward? We offer the five insights as a prototype answer. They complete the holotopia vision, by making it concrete and actionable.

We could have called them "five issues", because each of them is a structural anomaly in our 'cup', or 'bus', of which our "problems" are mere consequences or symptoms. And also "five anomalies", because they constitute the anomalies that motivate our proposal to develop a new paradigm. We call them "insights" to emphasize that, as we shall see, they not only can be resolved—but their resolutions naturally lead to improvements that are more to the point than the problems they create.

In the spirit of the holoscope, we here only summarize each of them as a big picture—and provide the supporting evidence and details separately.

Power structure

"Man has acquired such decisive power that his future depends essentially on how he will use it", observed Peccei. We look at the way in which man uses his newly acquired and rapidly growing power—to innovate (create and induce change). We apply the holoscope to illuminate the way our civilization or 'bus' has been following, in its evolution.

An easy observation will give us a head start: We use competition or "survival of the fittest" to find and follow the way, not information. The popular belief that "the free competition" or "the free market" is our best guide is what habitually makes our "democracies" choose the "leaders" who represent that view. But is this belief warranted?

Genuine revolutions often result from a new way in which the perennial issues of power and freedom are perceived. We offer this keyword, power structure as a means to that end (keywords are custom-defined concepts, which offer a certain specific way of looking or scope). Think of the power structure as a new way to conceive of the intuitive notion "power holder", which, we suspect, might in some way obstruct our freedom, or cause us harm and be our "enemy". While the exact meaning and character of the power structure will become clear as we go along, imagine it, to begin with, as our institutions; or a bit more generally, as the systems in which we live and work (which we'll here simply call systems). Notice that those systems have an immense power—first of all the power over us, because we have to adopt them and adapt to them to be able to live and work; and then also the power over our environment, because by organizing us and using us in certain specific ways, they determine what the effects of our work will be. Whether the effects will be problems, or solutions.

How suitable are our systems for their all-important role?

Evidence, circumstantial and theoretical, shows that our systems waste a lion's share of our resources; that they are causing our problems; and that they generally organize us so that our best efforts and intentions yield results that are outright cruel and evil. The reason is obvious: the evolution by "the survival of the fittest" tends to favor those systems that are more predatory by nature, at the detriment of the ones that are more docile toward the people and their environment. See this excerpt from Joel Bakan's documentary "The Corporation" (which Bakan, a law professor created to federate an insight he considered essential), where it is explained that "the corporation is an externalizing machine just as the shark is a killing machine" (as explained in more detail in the excerpt, "externalization" means maximizing profits by letting someone else, notably the people and the environment, bear the costs). But, we show, the nature of the systems that tend to win in competition has always been predatory; it's only their form that keeps changing.

And how do systems affect us who live and work in them, directly? This excerpt from Sidney Pollack's 1969 film "They Shoot Horses, Don't They?" will answer that question vividly.

So why do we put up with such systems? Why don't we treat them as we treat other human-made things—by adapting them to the purposes that need to be served?

The reasons, and how to overcome them, are most interesting, and they'll be a recurring theme in holotopia.

One of the reasons we have already seen: We have no habit of, and no means for seeing things whole. When we look in our conventional ways, even such uncanny errors as 'using candles as headlights' can develop without us noticing, on the large scale that is beyond our field of vision.

A subtler reason why we tend to ignore the possibility of adapting the systems in which we live and work to their roles in larger systems, is they perform for us a different role—of providing structure to our various turf strifes and power games. Within our system, they provide us "objective" and "fair" criteria for competing for positions; and in the competitive world outside, they organize us in ways that give us a better chance to prevail.

Why don't, to name an example, our media agencies combine their resources, and give us the information we need? The answer is obvious: They are competing with one another for our attention, and use whatever means they have at their disposal. And our attention, needless to say, is a resource that requires no less care and attention than our material resources, such as clean air and energy.

The most interesting collection of reasons, however, have to do with the uncanny and yet so poorly understood (by the general public) power of the power structures to socialize us in certain specific ways, as it may suit their interests. The power to adapt to their interests both our culture and our "human quality"—our sense of duty, commitment, heroism and honor.

Bauman-PS.jpeg

Evil intention is no longer needed; even civilization-wide self-destruction can result by us doing no more than "our job"; not because we violated, but because we followed "the rules".

The fact that we will not "solve our problems" unless we learned how to team up and adapt our systems to their contemporary larger systemic roles has, of course, not remained unnoticed.

In 1948, in his seminal Cybernetics, Norbert Wiener explained why "free competition" cannot be trusted in the role of 'headlights and steering'. Cybernetics was envisioned as a transdisciplinary academic effort to provide the required know-how for understanding systems, and restoring them to their function.

Jantsch-vision.jpeg

The very first step the founders of The Club of Rome's did after its inception in 1968 was to gather a team of experts (in Bellagio, Italy) and develop a suitable methodology. They gave "making things whole" on scale of socio-technical systems the name "systemic innovation"—which we've adopted as one of our keywords.

Collective mind

If our key evolutionary task is to (develop the ability to) make things whole at the level of systemswhere i.e. with what system should we begin?

Handling of information, or metaphorically our society's 'headlights', suggests itself as the answer for several reasons. One of them is that if we'll use information and not competition to guide our society's evolution, our information will have to be different. Another reason is that when the system at hand is a system of individuals, then communication is what brings the individuals together and in effect creates the system. So the nature of communication largely determines what a system will be like. In Cybernetics, Wiener makes that point by talking about ants, bees and other animals.

The complete title of Wiener's book was "Cybernetics or Control and Communication in the Animal and the Machine". To have control over its impact on its environment and vice versa (Wiener preferred the technical keyword "homeostasis", which we may interpret as "sustainability"), a system must have suitable communication. But the tie between information and action has been severed, Wiener too noted, and it needs to be restored.

Bush-Vision.jpg

To make that point, Wiener cited an earlier work, Vannevar Bush's 1945 article "As We May Think", where Bush issued the call to action to the scientists to make the task of revising their system their next highest priority (the World War Two having just been won).

So why haven't we done that yet?

"As long as a paradox is treated as a problem, it can never be dissolved," observed David Bohm. The reason for our inaction is, of course, that the tie between information and action has been severed...

It may feel disheartening, especially to an academic researcher, to see the best ideas of our best minds unable to benefit our society; to see again and again (our portfolio has a wealth of examples) that when a researcher's insight challenges the "course"—it will as a rule be ignored.

But the pessimism readily changes to holotopia–style optimism when we look at the other side of this coin—the vast creative frontier that this insight is pointing to (for which our prototype portfolio may serve as an initial map).

This optimism turns into enthusiasm when we realize that characteristic parts of contemporary information technology have been created to enable a breakthrough on this frontier—by Doug Engelbart and his SRI team; and demonstrated in their famous 1968 demo!

By connecting each of us to a digital device through an interactive interface, and connecting those devices into a network, this technology in effect connects us together in a similar ways as cells in a higher-level organism are connected together by a nervous system—for the first time in history. The printing press too enabled a breakthrough in communication—but the process it enabled was entirely different. We can now "create, integrate and apply knowledge" concurrently (to use Engelbart's keywords), as cells in a human organism do; we can think, and create, together, as cells in a well-functioning mind do.

When, however, this 'nervous system' is used to implement the processes and the systems that have evolved through the centuries of use of the printing press, and only broadcast data—the consequences to our collective mind are disastrous.

Giddens-OS.jpeg

The above observation by Anthony Giddens points to an impact this has had on our culture, and "human quality". Dazzled by an overflow of data, in a reality whose complexity is well beyond our comprehsnsion, we have no other recourse but "ontological security"—we find meaning in learning a profession, and performing in it a competitively.

But this is, as we have seen, what binds us to power structure.

Socialized reality

Our next question is who, that is what institution, will guide us through the next urgent task on our evolutionary agenda—developing systemic innovation in knowledge work?

Both Erich Jantsch and Doug Engelbart believed that the answer would have to be "the university"; and they made their appeals accordingly. But they were ignored—and so were Vannevar Bush and Norbert Wiener before them, and Neil Postman and numerous others later on.

Why? Isn't restoring agency to information and power to knowledge a task worthy enough of academic attention?

It is tempting to conclude, simply, that the academia's evolution followed the general trend; that the academic disciplines evolved as power structures; that their real function is to provide the insiders clear, rational rules for competing for promotions, and to keep the outsiders outside. But to be able to see solutions, one would need to look at deeper causes.

As we pointed out in the opening paragraphs of knowledgefederation.org, the academic tradition did not evolve as a way to pursue practical knowledge, but (let's call it that) "right" knowledge. When Socrates engaged people in dialogs, his goal was not to correct their handling of practical matters, but to question their very way of "knowing". And that was, of course, also what Galilei was doing to his contemporaries, and the reason why he was in house arrest. And yet the house arrest was unable to prevent this new way of knowing, whose time had come, to spread from astrophysics where it originated, and ignite a comprehensive change.

We asked: "Could a similar advent be in store for us today?"

The socialized reality insight is fundamental; it shows why the answer to this question is affirmative.

We show that a fundamental error was made during our modernization—whose consequences cannot be overrated. This error was subsequently detected and reported, but it has not been corrected yet.

During the Enlightenment, when Adam and Moses as cultural heroes and forefathers were gradually replaced by Darwin and Newton, an "official narrative" emerged that the prupose of information, and hence of our pursuit of knowledge, is to give us an "objectively true representation of reality". The traditions and the Bible got it all wrong; but science corrected their errors.

A self-image for us as the "homo sapiens" developed as part of this narrative, according to which we, humans are rational decision makers, whom nature has endowed with the capability to know "the reality" correctly. Given correct data, the "objective facts" about the world, our rational faculties will suffice to guide us to rational choices, and subdue the natural forces to our own interests.

The twentieth century's science and philosophy completely reversed this naive picture. It turned out that we got it wrong.

Einstein-Watch.jpeg

It turned out that it is beyond our power to assert that our ideas and models correspond to reality. That there is simply no way to look into the supposed "mechanism of nature", and verify that our models correspond to the real thing.

Information is (or more to the point it needs to be perceived as) the central element in another 'mechanism', of our society. It is what organizes the society together; what enables it to function.

"Reality" turned out to be (came to be perceived as, in the light of 20th century science and philosophy) a contrivance of the traditional culture, or of power structure, invented to socialize us in a certain way. As Berger and Luckmann observed in Social Construction of Reality, our "reality pictures" serve as "universal theories", to legitimize a given social order.

Bourdieu-insight.jpeg

By ignoring the subtler, non-factual or implicit information, and the "symbolic power" it bears, we have on the one hand ignored and abandoned core parts of our cultural heritage; and on the other hand, we've ignored the need to secure the evolution of core parts of culture.

Academically ignored, implicit information, "symbolic power", "reality construction" and our socialization only changed hands—from one power structure (the kings and the clergy) to the next (the corporations and the media).




Before we begin

Before we share the "tactical assets" we've put together to prime the Holotopia project, a couple of notes are in order to explain how exactly we want them to be understood and received.

A 'cardboard city'

While each of these "assets" is created, to the best of our ability, to serve as a true solution, we do not need to make that claim, and we are not making it. Everything here is just prototypes. Which means models, each made to serve as a "proof of concept", to be experimented with and indefinitely improved.

Think of what's presented here as a cardboard model of a city.

It includes a 'school', and a 'hospital', a 'main square' and 'residential areas'. The model is complete enough for us to see that this 'city' will be a wonderful place to be in; and to begin building. But as we build—everything can change!

One of the points of using this keyword, prototype, is to consider them as placeholders. A city needs a school, and a hospital, and... The whole thing models a 'modern city' (an up-to-date approach to knowledge).

This will all make even more sense when one takes into consideration that the core of our proposal is not to build a city; it is to develop 'architecture'!

A 'business plan'

No, we are not doing this to start a business, or to make money. But a 'business plan' is still a useful metaphor, because we do "mean business". The purpose of the Holotopia project is to make a difference. In the social and economic reality we are living in.

These "tactical assets" can then also be read as points in a business plan—which point to the realistic likelihood of it all to achieve its goals.

The point here is not money, but impact. Making a real difference. From the business point of view, perhaps a suitable metaphor could be 'branding'. And 'strategy'. There are numerous movements, dedicated to a variety of causes. Can we unite under a single flag and mission, not as a monolithic thing but a 'federation', or a 'franchise' of sorts, so that the holotopia offers these resources.

Peccei wrote in One Hundred Pages for the Future (the boldface emphasis is ours):

For some time now, the perception of (our responsibilities relative to "problematique") has motivated a number of organizations and small voluntary groups of concerned citizens which have mushroomed all over to respond to the demands of new situations or to change whatever is not going right in society. These groups are now legion. They arose sporadically on the most variend fronts and with different aims. They comprise peace movements, supporters of national liberation, and advocates of women's rights and population control; defenders of minorities, human rights and civil liberties; apostles of "technology with a human face" and the humanization of work; social workers and activists for social change; ecologists, friends of the Earth or of animals; defenders of consumer rights; non-violent protesters; conscientious objectors, and many others. These groups are usually small but, should the occasion arise, they can mobilize a host of men and women, young and old, inspired by a profound sense of te common good and by moral obligations which, in their eyes, are more important than all others.

They form a kind of popular army, actual or potential, with a function comparable to that of the antibodies generated to restore normal conditions in a biological organism that is diseased or attacked by pathogenic agents. The existence of so many spontaneous organizations and groups testifies to the vitality of our societies, even in the midst of the crisis they are undergoing. Means will have to be found one day to consolidate their scattered efforts in order to direct them towards strategic objectives.

An obvious problem is the lack of a shared and effective strategy that would allow the movements to really make a difference. As it is, they are largely reactive and not pro-active. But as we have seen, the problems can only be solved when their systemic roots are understood and taken care of.

But there is a subtle and perhaps even more important difficulty—that our efforts at making a difference tend to be symbolic. We adapted this keyword from political scientist Murray Edelman, and attribute to it the following meaning.

Real impact, we might now agree, is impact on systems. They are the 'riverbed' that directs the 'current' in which we are all swimming. We may 'swim against the current' for awhile, with the help of all our courage and faith and togetherness—but ultimately we get exhausted and give up.

The difficulty, however, is our socialization—owing to which we tend to take systems for granted; they are the "reality" within which we seek solutions. And so our attempts at solution end up being akin to social rituals, where we symbolically act out our "responsibilities" and concerns (by writing an article, organizing a conference, or a demonstration) and put them to rest.

The alternative is, of course, to restore agency to information, and power to knowledge—i.e. to create a clear guiding light under which efforts can be effectively focused.

The five insights, which we'll list as our first "tactical asset", are our prototype placeholder in that role.


They provide us a frame of reference, around which the city is built. They serve as foundation stones, or as 'five pillars' lifting the emerging construction up from the mundane reality, and making it stand out.

In our challenge to come through the sensationalist press and reach out to people, each of them is a sensation in its own right; but a real sensation, which merits our attention.

In our various artistic, research, media... projects—they provide us building material.



The mirror

POINT: Bring in the fundamental element. CHANGE of WORLDVIEW begins with FOUNDATIONS—and here we orchestrate it carefully. BRING ACADEMIA ALONG! LIBERATE the enormous creative potential it contains. WE DO NOT NEED TO "PUBLISH OR PERISH".

The appeal here is to institutionalize a FREE academic space, where this line of work can be developed with suitable support.

A 'magical' way out

That there is an unexpected, seemingly magical way into a new cultural and social reality is really good news. But is it realistic?

We here carefully develop the analogy with Galilei's time, when a new epistemology was ready to change the world, but still kept in house arrest. All we need to do is to set it free.

The discovery of ourselves

The mirror symbolizes the ending of reification (when we see ourselves in the world, we realize that we are not above it and observing it "objectively"); and the beginning of accountability (we see the world in dire need for creative action; and we see our own role in it).

This insight extends into ending of the reification of our personal preferences, feelings, tastes... What we are able to feel, think, create... is determined, to an astounding degree, by the degree in which our "human quality" has been developed. And our ability to develop it depends in an overwhelming degree on the way in which our culture has been developed.

The academia's situation

The mirror symbolizes also the academia's situation, just as the bus with candle headlights symbolizes our civilization's situation. The point is that the hitherto development of the academic tradition brought us there, in front of the mirror.

An enormous liberation of our creative abilities results when we realize they must not be confined to traditional disciplinary pursuits and routines.

Especially important is the larger understanding of information that the self-reflection in front of the mirror brings us to; information is no longer only printed text; it includes any artifacts that embody human experience, refined by human ingenuity.



The five insights, and the ten direct relationships between them, provide us reference—in the context of which some of the age-old challenges are understood and handled in entirely new ways.

How to put an end to war

Consider, for instance, this age-old question: "How to put an end to war?" So far our progress on this all-important frontier has largely been confined to palliative measures; and ignored those far more interesting curative ones. What would it take to really put an end to war, once and for all?

When this question is considered in the context of two direction-changing insights, power structure and socialized reality, we become ready to see the whole compendium of questions related to justice, power and freedom in a completely new way. We then realize in what way exactly, throughout history, we have been coerced, largely through cultural means, to serve renegade power, in the truest sense our enemy, by engaging our sense of duty, heroism, honor and other values and traits that constitute "human quality". We then become ready to redeem the best sides of ourselves from the power structure, and apply them toward true betterment of our condition.

Religion beyond belief

Or think about religion—which has in traditional societies served to bind each person with "human quality", and the people together into a culture or a society. But which is in modern times all too often associated with dogmatic beliefs, and inter-cultural conflicts.

When religion is, however, considered in the context provided by socialized reality and convenience paradox, a whole new possibility emerges—where religion no longer is an instrument of socialization—but of liberation; and as an essential way to cultivate our personal and communal wholeness.

A natural strategy for remedying religion-related dogmatic beliefs and inter-cultural conflicts emerges—to evolve religion further!

The ten themes cover the holotopia

Of course any theme can be placed into the context of the five insights, and end up being seen and handled radically differently. To prime these eagerly sought-for conversations, we provided a selection of ten themes (related to the future of education, business, science, democracy, art, happiness...) that—together with the five insights—cover the space of holotopia in sufficient detail to make it transparent and tangible.


The dialogs

The dialog is an art form

We make conversation themes alive through dialogs.

We turn conversations into artistic and media-enabled events (see the Earth Sharing prototype below).

The dialog is an attitude

The dialog is an integral part of the holoscope. Its role will be understood if we consider the human inclination to hold onto a certain way of seeing things, and call it "reality". And how much this inclination has been misused by various social groups to bind us to themselves, and more recently by various modern power structures. (Think, for instance, about the animosity between Catholics and Protestants in Northern Ireland, or between Sunni and Shia Muslims in the Middle East.)

The attitude of the dialog may be understood as an antidote.

The dialog is an age-old tradition

The dialogues of Socrates marked the very inception of the academic tradition. More recently, David Bohm gave the evolution of the dialogue a new and transformative direction. Bohm's dialogues are a form of collective therapy. Instead of arguing their points, the participants practice "proprioception" (mindfully observe their reactions), so that they may ultimately listen without judging, and co-create a space where new and transformative ideas can emerge.

We built on this tradition and developed a collection of prototypes—which holotopia will use as construction material, and build further.


We employ contemporary media

The use of contemporary media opens up a whole new chapter, or dimension, in the story of the dialog.

Through suitable use of the camera, the dialog can be turned into a mirror—mirroring our dysfunctional communication habits; our turf strifes.

By using Debategraph and other "dialog mapping" online tools, the dialog can be turned into a global process of co-creation of meaning.

The dialog as spectacle

The holotopia dialogs will have the nature of spectacles—not the kind of spectacles fabricated by the media, but real ones. To the media spectacles, they present a real and transformative alternative.

The dialogs we initiate are a re-creation of the conventional "reality shows"—which show the contemporary reality in ways that need to be shown. The relevance is on an entirely different scale. And the excitement and actuality are of course larger! We engage the "opinion leaders" to contribute their insights to the cause.

When successful, the result is most timely and informative: We are witnessing the changing of our understanding and handling of a core issue.

When unsuccessful, the result is most timely and informative in a different way: We are witnessing our resistances and our blind spots, our clinging to the obsolete forms of thought.

Occasionally we publish books about those themes, based on our dialogs, and to begin new ones.

The dialog is an instrument of change

This point cannot be overemphasized: Our primary goal is not to warn, inform, propose a new way to look at the world—but to change our collective mind. Physically. The dialog is the medium for that change.

We organize public dialogs about the five insights, and other themes related to change, in order to make change.

Here the medium in the truest sense is the message: By developing dialogs, we re-create our collective mind—from something that only receives, which is dazzled by the media... to something that is capable of weaving together academic and other insights, and by engaging the best of our "collective intelligence" in seeing what needs to be done. And in inciting, planning and coordinating action.

In the holotopia scheme of things everything is a prototype. The prototypes are not final results of our efforts, they are a means to an end—which is to rebuild the public sphere; to reconfigure our collective mind. The role of the prototypes is to prime this process.

The elephant

Elephant.jpg
Elephant ideogram

The elephant

Imagine the 20th century's visionary thinkers as those proverbial blind-folded men touching an elephant. We hear them talk about things like "a fan", "a water hose" and "a tree trunk". But they don't make sense, and we ignore them.

Everything changes when we realize that they are really talking about the ear, the trunk and the leg of an imposingly large exotic animal, which nobody has yet had a chance to see—a whole new order of things, or cultural and social paradigm!

A spectacle

The effect of the five insights is to orchestrate this act of 'connecting the dots'—so that the spectacular event we are part of, this exotic 'animal', the new 'destination' toward which we will now "change course" becomes clearly visible.

A side effect is that the academic results once again become interesting and relevant. In this newly created context, they acquire a whole new meaning; and agency!

Post-post-structuralism

The structuralists undertook to bring rigor to the study of cultural artifacts. The post-structuralists "deconstructed" their efforts, by observing that there is no such thing as "real meaning"; and that the meaning of cultural artifacts is open to interpretation.

This evolution may be taken a step further. What interests us is not what, for instance, Bourdieu "really saw" and wanted to communicate. We acknowledge (with the post-structuralists), that even Bourdieu would not be able to tell us that, if he were still around. We acknowledge, however, that Bourdieu saw something that invited a different interpretation and way of thinking than what was common; and did what he could to explain it within the old paradigm. Hence we give the study of cultural artifacts not only a sense of rigor, but also a new degree of relevance—by considering them as signs on the road, pointing to an emerging paradigm

A parable

While the view of the elephant is composed of a large number of stories, one of them—the story of Doug Engelbart—is epigrammatic. It is not only a spectacular story—how the Silicon Valley failed to understand or even hear its "giant in residence", even after having recognized him as that; it is also a parable pointing to many of the elements we want to highlight by telling these stories—not least the social psychology and dynamics that 'hold Galilei in house arrest'.

This story also inspired us to use this metaphor: Engelbart saw 'the elephant' already in 1951—and spent a six decades-long career to show him to us. And yet he passed away with only a meager (computer) mouse in his hand (to his credit)!


The holoscope

Seeing things whole

Peccei concluded his analysis in "One Hundred Pages for the Future":

The arguments posed in the preceding pages [...] point out several things, of which one of the most important is that our generations seem to have lost the sense of the whole.

In the context of Holotopia, we refer to knowledge federation by its pseudonym holoscope, to highlight one of its distinguishing characteristics—it helps us see things whole.

Different from the sciences that have been "zooming in" (toward finer technical details); and promoting a fixed way of looking at the world (a domain of interest, a terminology and a set of methods being what defines a scientific discipline); and the informing media's focus on specific spectacular events, the holoscope allows us to chose our scope –"what is being looked at and how".


Stories

We bring together stories (elsewhere called vignettes)—which share the core insights of leading contemporary thinkers. We tell their stories.

They become 'dots' to connect in our dialogs.

They also show what obstructed our evolution (the emergence of holotopia).

Ideograms

Art meets science

Placeholder. The point is enormous—federation of insights, connecting the dots, not only or even primarily results in rational insights. It results in implicit information; we are undoing our socialization!

H side.png
A paper model of a sculpture, re-imaging the five insights and their relationships.

The ideograms condense lots of insights into a simple image, ready to be grasped.


As the above image may suggest, the pentagram—as the basic icon or 'logo' of holotopia—lends itself to a myriad re-creations. We let the above image suggest that a multiplicity of ideas can be condensed to a simple image (the pentagram); and how this image can be expanded into a multiplicity of artistic creations.

Keywords

The Renaissance, and also science, brought along a whole new way of speaking—and hence a new way to look at the world. With each of the five insights we introduce a collection of keywords, in terms of which we come to understand the core issues in new ways.

The keywords will also allow us to propose solutions to the anomalies that the five insights bring forth.

Prototypes

Information has agency only when it has a way to impact our actual physical reality. A goal of the Holotopia project is to co-create prototypes—new elements of our new reality. We share the prototypes we've already developed, to put the ball in play.



These titles will change

Art leads science

How the action began...

Seeing differently

Up and down

The vault

Precious space for reflection—where the stories are told, and insights begin to take shape.

Holotopia is an art project

The Holotopia is an art project. We are reminded of Michelangelo painting the ceiling of the Sistine Chapel, and in the heart of the old world order planting the seeds of the new one.

Duchamp's (attempted) exhibition of a urinal challenged what art may be, and contributed to the legacy that the modern art was built on. Now our conditions demand that we deconstruct the deconstruction—and begin to construct anew.

What will the art associated with the next Renaissance be like? We offer holotopia as a creative space where the new art can emerge.

KunsthallDialog01.jpg
A snapshot of Holotopia's pilot project in Kunsthall 3.14, Bergen.

Henri Lefebvre summarized the most vital of Karl Marx's objections to capitalism, by observing that capital (machines, tools, materials...) or "investments" are products of past work, and hence represent "dead labour". That in this way past activity "crystalyzes, as it were, and becomes a precondition for new activity." And that under capitalism, "what is dead takes hold of what is alive"

Lefebvre proposes to turn this relationship upon its head. "But how could what is alive lay hold of what is dead? The answer is: through the production of space, whereby living labour can produce something that is no longer a thing, nor simply a set of tools, nor simply a commodity.

As the above image may suggest, the holotopia artists still produce art objects; but they are used as pieces in a larger whole— which is a space where transformation happens. A space where the creativity of the artist can cross-fertilize with the insights of the scientist, to co-create a new reality that none of them can create on her own. Imagine it as a space, akin to a new continent or a "new world" that's just been discovered—which combines physical and virtual spaces, suitably interconnected.

Going online

Debategraph was not yet implemented. But David was there!